A Woman of No Importance
One of Oscar Wilde’s lesser plays, they’ve called it. However, our production team managed to wrestle it into quite a good show. Lord Illingworth, the witty raconteur, finds himself suddenly…
Author: Rew
Romeo & Juliet
The director of this production of Shakespeare’s famous love tragedy desired to set it in it’s original time and place, with one small caveat: No pumpkin pants. As that hardly…
What The Butler Saw
Joe Orton’s 1967 screwball comedy, perilous to progressives though it be, is nearly always a laugh riot. It doesn’t really require much in the way of sound, especially in the…
NCF Fetish Ball 2014 – Masquerade
Every year, New College of Florida’s Kink Positive club throws an enormous party dedicated to the principles of safe, sane, and consensual exploration of sensual play. I have been called…
The Year of Magical Thinking
Joan Didion’s personal journey through the stages of mourning is awash in sound cues, many of the liquid variety. There are also a number of places where it is very…
The Taming of the Shrew
Caldo! Hot and Italian is what director Sally Wood wanted for this play, The action is hot, the lighting is hot, the set is hot. Therefore my sound…
Our Town
The 75th anniversary of Thornton Wilder’s Our Town was celebrated by the Theater at Monmouth in the summer of 2014. My sound design for the straightforward production was heavy…
The Knight of the Burning Pestle
Allegedly Beaumont & Fletcher wrote this lewd little comedy about the growing privileges of the middle class and the theatre troupe being forced to cater to tastes somewhat behind the…
The Oakland Ballet’s 2005 Season
The Oakland Ballet’s 2005 season was rather plagued by budget issues, but we did manage to put together some excellent shows. As Technical Director and resident lighting designer, the bulk…
Gretna Theater’s 2004 Season
For Mt. Gretna’s eponymous summer theater, under the leadership of Will Stutts, I designed sound for three productions and stage managed two of them. On my way north to Monmouth…