Gilbert & Sullivan’s third collaboration and first in the attempt to create a truly English form of light opera, The Sorcerer, is a very silly plot concerning a love potion…
My work appears in the Theater at Monmouth’s recurring holiday one-man show “This Wonderful Life”, starring Mike Anthony. When you have to enact an entire town at Christmastime, you need…
The Theater at Monmouth’s 2014 production of the Bard’s comedy of country courting and cross-dressing opened an amazing season of theater, dubbed “the British Invasion” for the number of British…
One of Oscar Wilde’s lesser plays, they’ve called it. However, our production team managed to wrestle it into quite a good show. Lord Illingworth, the witty raconteur, finds himself suddenly…
The director of this production of Shakespeare’s famous love tragedy desired to set it in it’s original time and place, with one small caveat: No pumpkin pants. As that hardly…
Joe Orton’s 1967 screwball comedy, perilous to progressives though it be, is nearly always a laugh riot. It doesn’t really require much in the way of sound, especially in the…
Joan Didion’s personal journey through the stages of mourning is awash in sound cues, many of the liquid variety. There are also a number of places where it is very…
The 75th anniversary of Thornton Wilder’s Our Town was celebrated by the Theater at Monmouth in the summer of 2014. My sound design for the straightforward production was heavy…
Allegedly Beaumont & Fletcher wrote this lewd little comedy about the growing privileges of the middle class and the theatre troupe being forced to cater to tastes somewhat behind the…